July 28, 2003
Garbo hardly ever laughed, and when she did, it was dubbed; reality is similarly transformed in this quirky, dreamy novel infused with movie mania. A plague of cinematic absorption settles over an Ottawa neighborhood in Hay's latest offering (her debut, A Student of Weather, was shortlisted for the Giller Prize). Harriet Browning's ascetic mother refused her the frivolity of the cinema as a child, and as an adult she views films obsessively. In middle age, she is the center of a small group of cinephiles: her son, Kenny, obsessed with Sinatra, watches classic movies to forget his troubles at school; her daughter, Jane, on the brink of adolescence, longs for the glamorous life; her neighbor and friend Dinah may be attracted mainly by the familial activity of watching together. Lew, Harriet's realist husband, is left out of this loop; his escapes come in the form of business trips to South America. The arrival of Harriet's aunt Leah, the trouble-making widow of a Hollywood screenwriter, and her stepson Jack, a lazy, fast-talking writer, leads to shifts in affections and allegiances. It is illness, however, that brings an end to the movie-watching, in true Hollywood weepy fashion. References to Pauline Kael (beloved by Harriet), top 100 movie lists and a lineup of movie greats (Marlon Brando, Sean Connery and Bette Davis are among the favorites) are as integral to the story as the interactions of its film-besotted protagonists. This is a gracefully written novel, mapping out the patterns of tension and release in a family whose members are best able to express their love and disappointment through the films of the past.