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Hardly Knew Her

Audiobook
1 of 1 copy available
1 of 1 copy available

"Lippman is a writing powerhouse."

USA Today

New York Times bestselling author and winner of every major prize awarded for crime fiction—including the Edgar®, Anthony, Shamus, Agatha, and Nero Wolfe Awards—Laura Lippman brilliantly demonstrates her astonishing agility as a short story writer with Hardly Knew Her. A sterling collection of sixteen suspenseful short fictions and novellas—most set in and around her beloved Baltimore and several featuring her popular series character private investigator Tess Monaghan—Hardly Knew Her was called, "Riveting...One of the best collections released in some time" by the Boston Globe. The Seattle Times says, "something in the short-story form brings out the wicked in Laura Lippman," and this exceptional collection is indisputable proof that Lippman is without peer as she walks boldly on the dark and dangerous side.

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    • Publisher's Weekly

      August 25, 2008
      Fans of bestseller Lippman's long-running series featuring Baltimore PI Tess Monaghan (Another Thing to Fall
      , etc.) will be pleased to find that the 17 selections in her first short story collection are as intricate and witty as her novels. Part one, “Girls Gone Wild,” focuses on women engaged in all manner of shady enterprises, from first-time drug buyers in “The Crack Cocaine Diet” to an unassuming femme fatale with a secret in “Dear Penthouse Forum (A First Draft).” Lest readers think Lippman can only work her magic in her Maryland hometown, she devotes a section, “Other Cities, Not My Own,” to stories in settings as disparate as New Orleans during Mardi Gras (“Pony Girl”) and Dublin, Ireland, full of jilted lovers (“Honor Bar”). The book's climax is “Scratch a Woman,” a novella written for the collection and starring Heloise, the enterprising heroine of “One True Love,” an earlier entry. George Pelecanos provides an appreciative introduction.

    • AudioFile Magazine
      A book of short stories, especially one written by Laura Lippman, gives a narrator the opportunity to show his or her stuff. That's exactly what readers Linda Emond and Francois Battiste do. These 16 stories about Lippman's diverse female characters offer a variety of plots, suspense, plenty of action, and lots of revenge. Three are about Lippman's private investigator, Tess Monaghan. Another two concern a special prostitute that has another life in the suburbs. The narrators speak in many different voices. Linda Emond's tone is troubled, cunning, harsh, diabolical, childlike, and sad. Battiste sounds tough and frenzied. And just when you thought you'd heard it all, one of them unleashes a barrage that makes you realize they're just getting started. A.L.H. (c) AudioFile 2009, Portland, Maine
    • Publisher's Weekly

      December 22, 2008
      It’s not Linda Emond’s fault that most of Lippman’s women who kill are white, middle-class and between the aged 30–40. Almost all live in the corridor between Philadelphia and Washington, D.C., and eradicate men who have it coming to them. No wonder they tend to speak alike. The talented Emond strives with some success to individualize these murderers’ first-person narratives. In the short story “My Baby Walks the Streets of Baltimore,” Emond, who has previously read Lippman’s Another Thing to Fall
      , performs Tess Monaghan as the crisp and efficient detective she is meant to be. While Francois Battiste is given comparatively little to do, he shines in his reading of “Pony Girl” as the too-smooth and confident man-on-the-make who is no match for two beautiful Mardi Gras celebrants. This collection is both entertaining and forgettable, but Lippman fans will not be disappointed by these talented performances. A Morrow hardcover (Reviews, Aug. 25).

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  • English

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