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Dead Street

Audiobook
1 of 1 copy available
1 of 1 copy available
For twenty years, former NYPD cop Jack Stang has lived with the memory of his girlfriend's death in an attempted abduction. But what if she weren't actually dead? What if she somehow secretly survived—but lost her sight, and her memory, and everything else she had except her enemies? Now Jack has a second chance to save the only woman he ever loved—or to lose her for good.
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    • AudioFile Magazine
      Mickey Spillane's last book was written in his mid-80s. Retired NYPD cop Jack Stang learns that the love of his life, whom he has thought dead for the past 20 years, is really alive and in danger. The story is packed with good cops and bad, a gorgeous doll, street hoods, and mobsters. Tough-guy narrator Richard Ferrone finds DEAD STREET right up his alley. Ferrone seems to magnify Spillane's words, presenting characters and circumstances in a pace, tone, and style uniquely fitting for each. Teaming up Spillane and Ferrone makes this Hard Case Crime novel a fitting tribute to the lifelong body of work by this bestselling author. T.J.M. Winner of AudioFile Earphones Award (c) AudioFile 2008, Portland, Maine
    • Publisher's Weekly

      September 17, 2007
      One of a handful of novels he was working on at the time of his death, this fine, perhaps final, work from hard-boiled fiction icon Spillane (1918–2006) was prepared for publication by Hard Case vet Max Allan Collins. In it, NYPD detective Jack Stang receives word that his old fiancée, Bettie, who supposedly died in a kidnapping-gone-wrong 20 years earlier, is still alive and residing in a small Florida coastal community. The good news is countered by the fact that, in the car crash that was supposed to have killed her, she lost her eyesight and all her memories. Even worse, the men who had her kidnapped in the first place have perfectly good memories and are still looking for her—and willing to kill for the information locked in her damaged brain. This is a more sentimental Spillane than readers might expect, but the women are still “dolls,” the bad guys are still louses, and the hero still packs a helluva punch (along with his trusty .45, natch). Spillane always said he wrote for his fans, not for the critics, but both should be pleased with this late addition to the writer's canon.

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  • English

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