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It Was Dark There All the Time

Sophia Burthen and the Legacy of Slavery in Canada

ebook
1 of 1 copy available
1 of 1 copy available

"My parents were slaves in New York State. My master's sons-in-law ... came into the garden where my sister and I were playing among the currant bushes, tied their handkerchiefs over our mouths, carried us to a vessel, put us in the hold, and sailed up the river. I know not how far nor how long — it was dark there all the time."

Sophia Burthen's account of her arrival as an enslaved person into what is now Canada sometime in the late 18th century, was recorded by Benjamin Drew in 1855. In It Was Dark There All the Time, writer and curator Andrew Hunter builds on the testimony of Drew's interview to piece together Burthen's life, while reckoning with the legacy of whiteness and colonialism in the recording of her story. In so doing, Hunter demonstrates the role that the slave trade played in pre-Confederation Canada and its continuing impact on contemporary Canadian society.

Evocatively written with sharp, incisive observations and illustrated with archival images and contemporary works of art, It Was Dark There All the Time offers a necessary correction to the prevailing perception of Canada as a place unsullied by slavery and its legacy.

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    • Publisher's Weekly

      October 25, 2021
      Artist and curator Hunter (Every. Now. Then.: Reframing Nationhood) disputes the myth that Canada was a haven from slavery in the 19th century in this meandering and scholarly look at the life of enslaved woman Sophia Burthen. Born in 1775 in Duchess County, N.Y., Burthen was kidnapped as a girl by her master's sons-in-law and brought to Fort Niagra, where she was sold to Haudenosaunee chief Thayendanegea, also known as Joseph Brant, who took her north to present-day Hamilton, Ontario. Burthen lived and worked for 20 years in the household of Thayendanegea and his third wife, who abused her. Seven years after she was sold to a white man for $100, Burthen walked away from her owner (he didn't try to stop her), married a Black man who soon abandoned her, and eventually joined a community established by Black settlers. Hunter wanders through etymology and art history to show how whiteness shapes the past, segueing, for example, from a description of Burthen's journey up the Hudson River after her kidnapping to a discussion of how the Hudson River School of painting "eras the presence of the enslaved." Hunter's analyses will intrigue academic theorists and those interested in racial justice issues, but readers looking for a richer depiction of Burthen's experiences will be disappointed. The lack of focus leaves this otherwise intriguing treatise feeling a bit too diffuse. Illus.

    • Booklist

      December 1, 2021
      Readers may not realize that slavery also existed in Canada, long thought of as a haven for escaped enslaved people from the United States. Canadian artist and educator Hunter adds to growing field of books that focus on Black Canadian history with this story of the life of Sophia Burthen Pooley. Born an enslaved person in New York, she and her sister were taken to Niagara and sold to Thayendanegea (Joseph Brant), a Kanien'keh� ka (Mohawk) chieftain, the first of the Haudenosaunee to establish relations with the British. He brought them to his home in Upper Canada (now Ontario). Comprehensive and well-researched, Hunt's text explores Sophia's upbringing in the Fishkill area of New York to Niagara, then to Ontario, painting a detailed picture of the landscapes of the time. There is also a focus on artworks and exhibitions from Sophia's time, which provides added context, as do letters addressed to Sophia. While the text could have benefited from less distance from its subject, it is nonetheless a significant exploration of a little-known figure of Black Canadian history, essential reading for any student of Black history.

      COPYRIGHT(2021) Booklist, ALL RIGHTS RESERVED.

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