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Title details for Fight Night by Miriam Toews - Available

Fight Night

Audiobook
2 of 2 copies available
2 of 2 copies available
The beloved author of bestsellers Women Talking, All My Puny Sorrows, and A Complicated Kindness returns with a funny, smart, headlong rush of a novel full of wit, flawless writing, and a tribute to perseverance and love in an unusual family.
Fight Night is told in the unforgettable voice of Swiv, a nine-year-old living in Toronto with her pregnant mother, who is raising Swiv while caring for her own elderly, frail, yet extraordinarily lively mother. When Swiv is expelled from school, Grandma takes on the role of teacher and gives her the task of writing to Swiv's absent father about life in the household during the last trimester of the pregnancy. In turn, Swiv gives Grandma an assignment: to write a letter to "Gord," her unborn grandchild (and Swiv's soon-to-be brother or sister). "You’re a small thing," Grandma writes to Gord, "and you must learn to fight."
As Swiv records her thoughts and observations, Fight Night unspools the pain, love, laughter, and above all, will to live a good life across three generations of women in a close-knit family. But it is Swiv’s exasperating, wise and irrepressible Grandma who is at the heart of this novel: someone who knows intimately what it costs to survive in this world, yet has found a way—painfully, joyously, ferociously—to love and fight to the end, on her own terms.
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    • Publisher's Weekly

      Starred review from August 23, 2021
      Toews (Women Talking) continues her consideration of the theme of women’s self-determination in this indelible and darkly hilarious portrait of an unforgettable Toronto family. Framed as a long letter to eight-year-old Swiv’s absent father in her brisk, matter-of-fact voice, it also features letters to her mother and others. After being expelled from school for fighting, she grows closer to her larger-than-life grandmother, Elvira, who “has one foot in the grave” and dives into homeschooling with gusto, convening so-called editorial meetings and devising assignments to write letters to one another. Meanwhile, Swiv’s mother, Mooshie, a pregnant actor, is prone to dramatic and sometimes violent mood swings, leading Swiv to fear Mooshie might succumb to the same mental illness that led to her aunt’s and grandfather’s suicides. The harder-edged Mooshie, who wants a “cold IPA and a holiday” for her birthday, and the exuberant Elvira, are both brash and fearless, traits that alternately embarrass and inspire Swiv. Through these women’s letters and stories, readers glimpse histories of grief, loss, and abuse, making Grandma’s assertion that “joy... is resistance” even more powerful. The moving conclusion, which has its roots in a plan for Swiv and Elvira to visit family members in California, shuns sentimentality and celebrates survival. Fierce and funny, this gives undeniable testimony to the life force of family. It’s a knockout.

    • BookPage
      Listen to a 9-year-old, and you could learn a lot about the world. That’s the benefit that Swiv’s absent father would derive if he were to read the letter that constitutes Fight Night, Miriam Toews’ brilliant new book, in which she triumphs over a tough assignment: to write an entire novel in the voice of a child. Assignments are nothing new to Swiv. As she relays to her father in this letter, she’s been kicked out of her school near Toronto because of her “lashing out tone” after an incident during Choice Time. Now she’s at home with her actor mother and grandmother, and Swiv and Grandma swap homework assignments. For example, Swiv instructs Grandma to compose a letter to Gord, the baby that Mom is carrying. Toews gives Swiv a voice that is sophisticated, childlike and utterly believable. Readers can see where Swiv gets her pugnaciousness: Mom has been known to rail against capitalism and get into arguments with clerks at tasteful card shops. Mom has reasons to be on edge, however. She’s dealing not only with a pregnancy and an absent husband but also with backstage experiences that have instilled distrust in her profession. Then there’s Grandma, a free spirit who speaks in what Swiv calls a secret language and is passionate about Toronto Raptors basketball. Her joie de vivre, however, belies a dark history that Toews slowly reveals as the story progresses.  The novel features a supporting cast of men that allows Toews to comment on examples of the patriarchy at work, from Grandma’s religious older brothers, who packed her off to Nebraska to get a husband and study the Bible after their father died, to directors who subject Mom to callous treatment. This material could have been strident, but the wonder of Fight Night is that it’s a warmhearted and inventive portrait of women who have learned to fight against adversity. “You play hard to the end, Swiv,” Grandma tells her as they watch the Raptors on TV. “To the buzzer. There is no alternative.” You could learn a lot from grandmothers, too.

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  • English

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