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The Woman in the Veil

ebook
1 of 1 copy available
1 of 1 copy available
When a mutilated ‘Sleeping Beauty’ washes ashore in London, a trio of crime scene photographers must uncover whether her kin and killer are one and the same—the fourth installment in a richly atmospheric Victorian mystery series.
London, June 1890. Sarah Bain and her friends Lord Hugh Staunton and Mick O’Reilly are crime scene photographers for the Daily World newspaper. After solving a sensational murder, they’re under pressure to deliver another big story. On a foggy summer night, they’re called to the bank of the river Thames. The murder victim is an unidentified woman whose face has been slashed. But as Sarah takes photographs, she discovers that the woman is still alive.
The case of “Sleeping Beauty” becomes a public sensation, and three parties quickly come forward to identify her: a rich, sinister artist who claims she’s his wife; a mother and her two daughters who co-own a nursing home and claim she’s their stepdaughter/sister; and a precocious little girl who claims Sleeping Beauty is her mother. Which party is Sleeping Beauty’s rightful kin? Is someone among them her would-be killer?
Then Sleeping Beauty awakens—with a severe case of amnesia. She’s forgotten her name and everything else about herself. But she recognizes one of the people who’ve claimed her. Sarah is delighted to reunite a family and send Sleeping Beauty home—until one of the claimants is murdered. Suddenly, Sarah, her motley crew of friends, and her fiancé Detective Sergeant Barrett are on the wrong side of the law. Now they must identify the killer before they find themselves headed for the gallows.
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    • Publisher's Weekly

      November 18, 2019
      At the start of Rowland’s clever fourth Victorian mystery (after 2019’s The Hangman’s Secret), Sarah Bain, a London newspaper crime scene photographer, is assigned to take pictures of the corpse of a naked woman with a mutilated face. But as she prepares to take the photo, Sarah realizes the woman is breathing. Sarah’s boss, Sir Gerald Mariner, thinks “Sleeping Beauty” would make a great story, and fortunately Sarah’s fiancé, Det. Sgt. Thomas Barrett, is on the case. Many claim to know Sleeping Beauty’s identity, but Barrett quickly narrows the possibilities to three: artist August Legrand claims that she’s his wife; Frances Oliphant insists the woman is her stepsister; 10-year-old Venetia Napier is sure Sleeping Beauty is her long-missing mother, Maude. When Sleeping Beauty finally awakes, she remembers Venetia, and a joyful reunion ensues. But Sarah learns that not all stories have a happy ending when one of the claimants is murdered. Is Sleeping Beauty really Maude, or did she choose the lesser of three evils? Readers will enjoy Rowland’s original approach and realistic characters. Agent: Pam Ahearn, Pam Ahearn Agency.

    • Kirkus

      November 1, 2019
      A crime-scene photographer in Victorian London is drawn into the notorious case of the Sleeping Beauty. A foggy evening finds narrator Sarah Bain (The Hangman's Secret, 2019, etc.), along with her friend and business partner, Lord Hugh Staunton, and her assistant, young Mick O'Reilly, a former street urchin, in Shadwell prowling the dangerous banks of the Thames, looking for sensational images to sell to the Daily World. And the group makes a sensational find: a naked female body looking like a mermaid who's washed ashore. Even while they argue about how to proceed, they realize that the corpse is actually alive. Sarah sets out to discover the identity of the mystery woman, who's soon dubbed Sleeping Beauty. Hugh, meanwhile, struggles in his closeted romance with aristocratic Tristan Mariner, who's unable to deal with the "sinful" nature of their relationship. Sarah gets able assistance from her fiance, DS Barrett. As the Daily World milks the story of Sleeping Beauty, who remains in a coma, people come out of the woodwork to claim her as a beloved relative. Dapper, condescending Belgian August Legrand claims she's his wife, Jenny; prim widow Mrs. Oliphant thinks she's her stepdaughter, Peggy; and eerily composed waif Venetia Napier believes the Sleeping Beauty is her mother. An additional burden comes in the person of Sarah's sister, Sally, who insists that they work to remove the cloud over their father, who disappeared after being implicated in a high-profile murder. Sarah goes to extremes to solve the case and protect her friends. Strong in character and plot, Rowland's fourth Victorian mystery consistently appeals even when it veers into a motley muddle.

      COPYRIGHT(2019) Kirkus Reviews, ALL RIGHTS RESERVED.

    • Booklist

      December 1, 2019
      In 1890 London, a naked woman, her face badly injured, washes ashore on the bank of the Thames. Photographer Sarah Bain, at the scene with colleagues Lord Hugh Staunton and Mick O'Reilly, finds the woman breathing and gets permission from her editor at the Daily World to pursue the case, assigned to Detective Sergeant Thomas Barrett, Sarah's fianc�. When the victim (popularly known as Sleeping Beauty) awakes with amnesia, she is identified by three different people; it appears she is likely to be either Jenny Legrand, third wife of artist August Legrand; Margaret Oliphant, stepdaughter of a woman who runs a convalescent home; or Maude Napier, author, Egyptian explorer, and mother of young Venetia. Since Sleeping Beauty recognizes Venetia, she assumes she is Maude. Sarah is happy to have helped find Sleeping Beauty's family until one of the other claimants turns up dead, and Sarah is accused of the murder. Adding interest are subplots concerning Sarah's search for her accused-murderer father and Hugh's affair with an ex-priest's son. The fourth in this series (after The Hangman's Secret, 2019) should build interest in Rowland's richly atmospheric Victorian mysteries.(Reprinted with permission of Booklist, copyright 2019, American Library Association.)

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