Error loading page.
Try refreshing the page. If that doesn't work, there may be a network issue, and you can use our self test page to see what's preventing the page from loading.
Learn more about possible network issues or contact support for more help.

Elements of Fiction

ebook
1 of 1 copy available
1 of 1 copy available
The renowned novelist and author of This Year You Write a Novel shares a "compact but insight-rich" guide to fiction writing (Publishers Weekly).
In his essential writing guide, This Year You Write Your Novel, Walter Mosley supplied aspiring writers with the basic tools to write a novel in one year. In this complementary follow up, Mosley guides the writer through the elements of not just any fiction writing, but the kind of writing that transcends convention and truly stands out. For writers who want to approach the genius of Melville, Dickens, or Twain, The Elements of Fiction is a must-read.
Mosley demonstrates how to master fiction's most essential elements: character and char-acter development, plot and story, voice and narrative, context and description, and more. The result is a vivid depiction of the writing process, from the blank page to the first draft to rewriting, and rewriting again. Throughout, The Elements of Fiction is enriched by brilliant demonstrative examples that Mosley himself has written here for the first time.
  • Creators

  • Publisher

  • Release date

  • Formats

  • Languages

  • Reviews

    • Kirkus

      July 1, 2019
      The prolific creator of Easy Rawlins provides guidance and tough-minded encouragement to writers at any stage of development. In this follow-up to This Year You Write Your Novel (2007), Mosley (Down the River Unto the Sea, 2018, etc.) further demystifies fiction writing through language as taut and spare as the prose in his own novels. Where his first writing guide emphasized matters of diligence and discipline, here the author focuses on such storytelling basics as character, physical details, and points of view (he occasionally suggests that using a first-person narrator is harder than it seems). Mosley elaborates on the definition of plot he used in This Year, noting that "every story is a mystery of one sort or another." To illustrate this and other rules and assertions, the author unspools some narrative premises of his own invention. While some may seem too over-the-top to be anything more than parody, Mosley's purpose is to show readers the array of choices a novelist faces in setting up conflicts, not least of which is where and when a story might take place. He deploys similar story premises to show when and how to disclose the emotional lives of characters and how authorial improvisation can jar open fresh perspectives and a new set of narrative paths to follow. These random premises often feel like sneak peeks into Mosley's notebooks, but their intended effect is to make fledgling writers believe they can freely invent their own story ideas and carry them to fruition. The author is not only an inspiring instructor; he is also a bracingly open-minded one. He cites the use by some writers of outlines and biographies of major characters before getting to their novels, but he writes that he prefers meeting his characters "the way I encounter people in life--at a place and a situation where I have less knowledge than I'd like." Ultimately, he acknowledges that there is "no preordained pathway" to a writer's "ultimate destination." As with other manuals, this one doesn't shirk from emphasizing the difficulty of writing, but Mosley's spirited generosity helps make it less daunting. A concise work that aspiring writers will find useful.

      COPYRIGHT(2019) Kirkus Reviews, ALL RIGHTS RESERVED.

    • Library Journal

      Starred review from August 1, 2019

      Multi-award-winner Mosley (This Year You Write Your Novel), best known for his "Easy Rawlins" mystery series, explores life with genre-defying mastery. With conversational bounce, this guide provides writers with methods and tips to find clarity and emotion. The foundation of a novel is its voice, writes Mosley, and most authors struggle with this aspect, often second-guessing themselves during early drafts. Mosley advises them to knuckle down, complete a version, thereby determining the narrative voice through discovery. This discipline requires considerable effort but is certain to immerse writers in line-by-line craft--learning, so to speak, by swimming. In today's media saturation too many aspiring writers focus on marketing and promotion instead of facing the blank page, he writes. Perhaps the most valuable features are examples from Mosley's own works covering theme, character development, physical description (people and settings), and that constant creative bugaboo known as plot. Finally, Mosley is firm--rightly so--on the necessity for "taking a breather," letting the completed draft cool off before final editing. VERDICT A no-nonsense guide worthy of shelf space with Strunk and White's The Elements of Style and E.M. Forster's timeless Aspects of the Novel.--William Grabowski, McMechen, WV

      Copyright 2019 Library Journal, LLC Used with permission.

Formats

  • OverDrive Read
  • EPUB ebook

Languages

  • English

Loading