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The World Broke in Two

Virginia Woolf, T. S. Eliot, D. H. Lawrence, E. M. Forster, and the Year That Changed Literature

Audiobook
1 of 1 copy available
1 of 1 copy available

This program is read by the author.
A revelatory narrative of the intersecting lives and works of revered authors Virginia Woolf, T. S. Eliot, E. M. Forster and D. H. Lawrence during 1922, the birth year of modernism
The World Broke in Two tells the fascinating story of the intellectual and personal journeys four legendary writers, Virginia Woolf, T. S. Eliot, E. M. Forster, and D. H. Lawrence, make over the course of one pivotal year. As 1922 begins, all four are literally at a loss for words, confronting an uncertain creative future despite success in the past. The literary ground is shifting, as Ulysses is published in February and Proust's In Search of Lost Time begins to be published in England in the autumn. Yet, dismal as their prospects seemed in January, by the end of the year Woolf has started Mrs. Dalloway, Forster has, for the first time in nearly a decade, returned to work on the novel that will become A Passage to India, Lawrence has written Kangaroo, his unjustly neglected and most autobiographical novel, and Eliot has finished—and published to acclaim—"The Waste Land."
As Willa Cather put it, "The world broke in two in 1922 or thereabouts," and what these writers were struggling with that year was in fact the invention of modernism. Based on original research, Bill Goldstein's The World Broke in Two captures both the literary breakthroughs and the intense personal dramas of these beloved writers as they strive for greatness.

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    • AudioFile Magazine
      The year 1922 was a momentous one in modernist literature: It saw the publication of Joyce's ULYSSES, Eliot's WASTE LAND, and the first English translation of Proust. Those are intimidating works, but Bill Goldstein makes them approachable to listeners. As book editor for the NEW YORK TIMES, Goldstein is also a veteran of television and podcasts, so his tone is never academic. In any case, the focus is not the literary works themselves but rather the personal lives of four major figures from this period. There are intimate moments here. By leaning heavily on the journals and correspondence of Virginia Woolf, T.S. Eliot, D.H. Lawrence, and E.M. Forster, the audiobook combines journalism and criticism with a dollop of gossip. D.B. © AudioFile 2017, Portland, Maine
    • Publisher's Weekly

      May 22, 2017
      Goldstein, founding editor of the New York Times books website, offers an extensively annotated account of how four major authors invented modernism in 1922. Already a literary landmark for the publication of Joyce’s Ulysses and the first appearance of Proust’s À la recherche du temps perdu in English, 1922 is staked out by Goldstein as a “crucial year of change and outstanding creative renaissance” for his principals. Lawrence’s Women in Love survived an obscenity lawsuit, Forster revived his career with A Passage to India, Eliot published The Waste Land to wide acclaim, and Woolf invented Mrs. Dalloway’s inner world. For context, Goldstein dwells at length, and with frequent repetition, on his writers’ challenges, disappointments, and jealousies. Lawrence whirls like a dervish over countries and continents, happy nowhere; Forster broods with loneliness and grief; Eliot waffles over his great poem in between rest cures; and Woolf battles illness and her own inclination toward elegant spite. Goldstein’s plentiful digressions threaten to disjoint an already fragile narrative thread. Nonetheless, the intimate peek into the lives, rivalries, and heartbreaks of these celebrated writers sustains an entertaining story about how great literature is made, and will please scholars and hardcore fans alike. Agent: Joy Harris, Joy Harris Literary Agency.

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  • English

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