The Deepest Water

October 2, 2000
Set in and around her own Eugene, Ore., prolific Wilhelm's latest tale (after The Good Children) of psychological suspense reinforces the solid reputation she's earned for her 40-odd books published since 1963. Abby Connors is mourning the death of her father, bestselling novelist Jud Vickers, at the age of 48. Jud was a womanizing former ne'er-do-well who had recently found success, only to be murdered at his remote lakefront cabin. The local police baffled, Abby soon finds herself doing her own sleuthing, much to the dismay of her husband, Brice, a financial planner who was always jealous of Jud's primary place in Abby's heart. As Abby investigates further, she discovers secrets in Jud's past as well as an unfinished novel. Aware that Jud always based characters and events on people he actually knew, Abby begins to wonder: does the identity of the murderer and the motive lie within those unpublished pages? The brief forays into Jud's novel within the novel are sometimes over-the-top, and some readers may feel cheated by the subtle, nonconfrontational climax. The star of the book, strangely, is the cabin itself, a perversely menacing version of a Thomas Kincade painting and a deliciously eerie setting for the mystery and murder, beckoning the reader to step inside. Then, too, Abby is a plucky heroine whose steely patience serves her well even amid grief and bewilderment. Meanwhile, the ever-present specter of the murderer--casting doubt on the behavior of everyone Abby has contact with--keeps the edginess quotient high.